With electro-pop social commentary, bleak humour and sock-puppet debates, the comics lockdown creation is astonishing. For the song "Comedy," Burnham adopts a persona adjacent to his real life self a white male comedian who is driven to try and help make the world a better place. Simply smiling at the irony of watching his own movie come to life while he's still inside? The video is an hour-long edit of footage that was deleted from the making of Inside. An ethereal voice (which is really just Burnham's own voice with effects over it) responds to Burnham's question while a bright light suddenly shines on his face, as if he's receiving a message from God. (For example, the song "Straight, White, Male" from the "Make Happy" special). While this special is the product of evolution, Burnham is pointing out its also a regression. Then, the video keeps going past the runtime of the song and into that reaction itself. Poioumenon (from the Greek word for "product") is a term created by author Alastair Fowler and usually used to refer to a kind of metafiction. His career evolved through YouTube, MTV, Vine, his movie "Eighth Grade," and now Netflix's "Inside." Come and watch the skinny kid with a / Steadily declining mental health, and laugh as he attempts / To give you what he cannot give himself. Like Struccis Fake Friends documentary, this song is highlighted in Anuska Dhars video essay, Bo Burnham and the Trap of Parasocial Self-Awareness. Burnhams work consistently addresses his relationship with his audience, the ways he navigates those parasocial relationships, and how easy they can be to exploit. Released on May 30, 2021, Bo Burnham wrote, recorded, directed, and produced Inside while in lockdown during the COVID-19 pandemic of 2020. After about 35 minutes of candy-colored, slickly designed sketch comedy, the tone shifts with Burnhams first completely earnest song, a lovely indie-rock tune with an ear worm of a hook about trying to be funny and stuck in a room. This is the shows hinge. In Inside, Burnham confronts parasocial relationships in his most direct way yet. Inside is the work of a comic with artistic tools most of his peers ignore or overlook. He, for example, it starts off with him rhyming carpool karaoke, which is a segment on James Corden's show, with Steve Aoki, who's a DJ. Under stand up, Burnham wrote "Middle-aged men protecting free speech by humping stools and telling stories about edibles" and "podcasts. From the very beginning of "Inside," Burnham makes it clear that the narrative arc of the special will be self-referential. This is when the musical numbers (and in-between skits) become much more grim. HOLMES: That was NPR's Linda Holmes reviewing Bo Burnham's new Netflix special "Inside." And then, of course, he had previous standup comedy specials. We see Burnham moving around in the daylight, a welcome contrast to the dark setting of "All Eyes on Me." For fans who struggle with panic attacks (myself included) its a comfort to see yourself represented in an artist whose work you respect. I'm talking to you, get the f--- up.". At the forefront of this shift has been Bo Burnham, one of YouTubes earliest stars, who went on to make his own innovative specials with satirical songs backed by theatrical lighting and disembodied voices. Burnham spent his teen years doing theater and songwriting, which led to his first viral video on YouTube a song he now likely categorizes as "offensive.". Exploring mental health decline over 2020, the constant challenges our world faces, and the struggles of life itself, Bo Burnham creates a wonderful masterpiece to explain each of these, both from general view and personal experience. Entertainment correspondent Kim Renfro ranked them in ascending order of greatness. There's also another little joke baked into this bit, because the game is made by a company called SSRI interactive the most common form of antidepressant drugs are called selective serotonin reuptake inhibitors, aka SSRIs. When the song starts, the camera sitting in front of Burnham's mirror starts slowing zooming in, making the screen darker and darker until you (the audience member at home) are sitting in front of the black mirror of your screen. The clean, tidy interior that first connected "Inside" with "Make Happy" is gone in its place is a mess-riddled space. The special is set almost entirely in one cluttered room. He's showing us how terrifying it can be to present something you've made to the world, or to hear laughter from an audience when what you were hoping for was a genuine connection. He had a role in the film "Promising Young Woman." If the answer is yes, then it's not funny. Bo Burnham also uploaded Welcome to the Internet and White Womans Instagram on his YouTube channel. Its a lyrically dense song with camerawork that speeds up with its rhythm. As someone who has devoted time, energy, and years of research into parasocial relationships, I felt almost like this song was made for me, that Burnham and I do have so much in common. MARTIN: You know, about that, because it does move into a deeply serious place at some point. Its called INSIDE, and it will undoubtedly strike your hearts forevermore. The label of parasocial relationship is meant to be neutral, being as natural and normal and, frankly, inescapable as familial or platonic relationships. He uploaded it to YouTube, a then barely-known website that offered an easy way for people to share videos, so he could send it to his brother. My heart hurts with and for him. It's a dangerously tempting invitation to stop caring, coming from the villain of this musical comedy (depression). I've been singing that song for about a week NOW. Bo Burnham: INSIDE | Trailer - YouTube 0:00 / 2:09 The following content may contain suicide or self-harm topics. WebBo Burnham is more than a comedian he's a writer-director-actor who first went viral in 2006. I like this song, Burnham says, before pointing out the the lack of modern songs about labor exploitation. WebBo Burnham's new Netflix comedy special "Inside" is jam-packed with references to his previous work. Burnham quickly shifts from the song to a reaction video of the song itself in the style of a YouTuber or Twitch streamer. And you know what? Don't overthink this, look in my eye don't be scared don't be shy come on in the water's fine."). ", From then on, the narrative of "Inside" follows Burnham returning to his standard comedic style and singing various parody songs like "FaceTime with My Mom" and "White Woman's Instagram.". Disclosure: Mathias Dpfner, CEO of Business Insider's parent company, Axel Springer, is a Netflix board member. That's a really clever, fun little rhyme in this, you know, kind of heavy song. An astronaut's return after a 30-year disappearance rekindles a lost love and sparks interest from a corporation determined to learn why he hasn't aged. Well, well, buddy you found it, now come out with your hands up we've got you surrounded.". At first it seems to be just about life in the pandemic, but it becomes a reference to his past, when he made faces and jokes from his bedroom as a teenager and put that on the internet. LINDA HOLMES, BYLINE: Thank you, Michel. HOLMES: Right. In the song, Burnham specifically mentions looking up "derealization," a disorder that may "feel like you're living in a dream. Depression acts like an outside force, one that is rather adept at convincing our minds to simply stay in bed, to not care, and to not try anymore. "That's a good start. Theres always been a tension in his comedy between an ironic, smarty-pants cleverness and an often melodramatic point of view. But I described it to a couple of people as, you know, this looks like what the inside of my head felt like because of his sort of restlessness, his desire to create, create, create. "Part of me needs you, part of me fears you. It's progress. It is set almost entirely within one room of his Los Angeles guest house, the same one shown in the closing song of the June 2016 Make Happy special, titled Are you happy?. Burnham spoofs a PewDiePie-like figure a YouTuber who narrates his playing of a video game with a dead-eyed smugness, as shown in an image at the bottom-right corner of the screen. BURNHAM: (Singing) Start a rumor, buy a broom or send a death threat to a Boomer. Good. A distorted voice is back again, mocking Burnham as he sits exposed on his fake stage: "Well, well, look who's inside again. Get up. WebBo Burnham: Inside (2021) Exploring mental health decline over 2020, the constant challenges our world faces, and the struggles of life itself, Bo Burnham creates a. wonderful masterpiece to explain each of these, both from general view and personal experience. Burnham reacts to his reaction to his reaction to his reaction, focusing so intently on his body and image that he panics, stops the videoand then smiles at his audience, thanking them for watching. Or DM a girl and groom her, do a Zoomer, find a tumor in her HOLMES: And this is what the chorus of that song sounds like. Now Burnham is showing us the clutter of the room, where he's almost claustrophobically surrounded by equipment. He brushes his teeth, eats a bowl of cereal, and begins editing his videos. Underneath the Steve Martin-like formal trickery has always beaten the heaving heart of a flamboyantly dramatic theater kid. Inside (2021) opens with Bo Burnham sitting alone in a room singing what will be the first of many musical comedy numbers, Content. In the song, Burnham expresses, Roberts been a little depressed ii. If we continue to look at it from the lens of a musical narrative, this is the point at which our protagonist realizes he's failed at his mission. He grabs the camera and swings it around in a circle as the song enters another chorus, and a fake audience cheers in the background. "All Eyes On Me" starts right after Burnham's outburst of anger and sadness. Anything and everything all of the time. It's not. See our full breakdown of every detail and reference you might have missed in "Inside" here. Now we've come full circle from the start of the special, when Burnham sang about how he's been depressed and decided to try just getting up, sitting down, and going back to work. Is he content with its content? Might not help but still it couldn't hurt. Likewise. Social media; it's just the market's answer to a generation that demanded to perform so the market said, here, perform. And I don't think that I can handle this right now. It's as if Burnham is showing how wholesale judgments about the way people choose to use social media can gloss over earnest, genuine expressions of love and grief being shared online. This special spoke to me closer and clearer than Ive ever felt with another person. "Trying to be funny and stuck in a room, there isn't much more to say about it," he starts in a new song after fumbling a first take. "I don't know that it's not," he said. He says his goal had been to complete filming before his 30th birthday. At the end of the song, "Inside" cuts to a shot of Burnham watching his own video on a computer in the dark. Burnham's earlier Netflix specials and comedy albums. But during the bridge of the song, he imagines a post from a woman dedicated to her dead mother, and the aspect ratio on the video widens. So he has, for example, a song in which he adopts the persona of a kind of horror movie carnival barker, you might call it, who is trying to sell people the internet. Or was it an elaborate callback to his earlier work, planted for fans seeking evidence that art is lie? But also, it's clear that there's a lot on his mind. Bo Burnham: Inside, was written, edited, and directed by the talent himself and the entire show is shot in one room. He slaps his leg in frustration, and eventually gives a mirthless laugh before he starts slamming objects around him. In a giddy homage to Cabaret, Burnham, in sunglasses, plays the M.C.
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